When Bradford Rocked
1954 - 1966

When Bradford Rocked 1954 - 1966When Bradford Rocked 1954 - 1966When Bradford Rocked 1954 - 1966
  • Home
  • Introduction
  • Rock and Roll- 1991 book
  • Into the recording studio
  • The groups A-Z
  • Radio DJs
  • The Gaumont
  • Mistaken identity- Cliff?
  • The Majestic & Co-op Hall
  • The Dance Halls
  • Alhambra Spot the Stars
  • "Dal & Dadio" a DJs story
  • The rock n roll reunions
  • Our Girls
  • The Grattan connection
  • Not just Bradford
  • The Originals
  • Bradford coffee bars
  • 50's & 60's Fashion
  • Mario's
  • 2is' Coffee Bar London
  • Rock n roll Pot Pouri 1
  • Pot Pouri 2
  • The drummers
  • Twang Bang Boom
  • On the 'never never'
  • Emile Ford
  • The Doormen
  • Our stars of another kind
  • What you do for publicity
  • Autographs with a story 1
  • Autographs with a story 2
  • Autographs with a story 3
  • The popular Girl Groups
  • The popular Male Groups
  • Mini Profiles
  • The Instrumentals
  • A tribute Jerry Lordan.
  • Kiki Dee
  • Telegraph & Argus 1
  • Telegraph and Argus 2
  • About the authors
  • Dedication
  • Obituaries
  • Contact
  • More
    • Home
    • Introduction
    • Rock and Roll- 1991 book
    • Into the recording studio
    • The groups A-Z
    • Radio DJs
    • The Gaumont
    • Mistaken identity- Cliff?
    • The Majestic & Co-op Hall
    • The Dance Halls
    • Alhambra Spot the Stars
    • "Dal & Dadio" a DJs story
    • The rock n roll reunions
    • Our Girls
    • The Grattan connection
    • Not just Bradford
    • The Originals
    • Bradford coffee bars
    • 50's & 60's Fashion
    • Mario's
    • 2is' Coffee Bar London
    • Rock n roll Pot Pouri 1
    • Pot Pouri 2
    • The drummers
    • Twang Bang Boom
    • On the 'never never'
    • Emile Ford
    • The Doormen
    • Our stars of another kind
    • What you do for publicity
    • Autographs with a story 1
    • Autographs with a story 2
    • Autographs with a story 3
    • The popular Girl Groups
    • The popular Male Groups
    • Mini Profiles
    • The Instrumentals
    • A tribute Jerry Lordan.
    • Kiki Dee
    • Telegraph & Argus 1
    • Telegraph and Argus 2
    • About the authors
    • Dedication
    • Obituaries
    • Contact

When Bradford Rocked
1954 - 1966

When Bradford Rocked 1954 - 1966When Bradford Rocked 1954 - 1966When Bradford Rocked 1954 - 1966
  • Home
  • Introduction
  • Rock and Roll- 1991 book
  • Into the recording studio
  • The groups A-Z
  • Radio DJs
  • The Gaumont
  • Mistaken identity- Cliff?
  • The Majestic & Co-op Hall
  • The Dance Halls
  • Alhambra Spot the Stars
  • "Dal & Dadio" a DJs story
  • The rock n roll reunions
  • Our Girls
  • The Grattan connection
  • Not just Bradford
  • The Originals
  • Bradford coffee bars
  • 50's & 60's Fashion
  • Mario's
  • 2is' Coffee Bar London
  • Rock n roll Pot Pouri 1
  • Pot Pouri 2
  • The drummers
  • Twang Bang Boom
  • On the 'never never'
  • Emile Ford
  • The Doormen
  • Our stars of another kind
  • What you do for publicity
  • Autographs with a story 1
  • Autographs with a story 2
  • Autographs with a story 3
  • The popular Girl Groups
  • The popular Male Groups
  • Mini Profiles
  • The Instrumentals
  • A tribute Jerry Lordan.
  • Kiki Dee
  • Telegraph & Argus 1
  • Telegraph and Argus 2
  • About the authors
  • Dedication
  • Obituaries
  • Contact

'The way we wore...'

Teddy Boys

The British Teddy boy subculture was typified by young men wearing clothes inspired by the styles of the Edwardian period. The group got its name after a 1953 newspaper headline shortened Edward to Teddy and coined the term Teddy Boy, (also known as TED). The subculture started in London in the 1950s and rapidly spread across the UK, soon becoming strongly associated with American rock and roll music of the period. Teddy Boys were the first youth group in England to differentiate themselves as teenagers, thus helping to create a youth market.


The US film Blackboard Jungle with the introduction of Bill Haley’s ‘Rock Around the Clock’ in the opening sequence marked a watershed in the United Kingdom. When shown at local cinemas the teenagers in the audience began to riot, tearing up seats and dancing in the aisles. At the time is stated that it was in most cases it was Teddy boys who began to riot, which was often exaggerated in the popular Press. After spending £20 to £30 on an outfit, when wages were probably no more than £3-10s a week , who would contemplate rolling around in the gutter, fighting or ripping seats out of a cinema. This did not happen at least not in Bradford, for the simple reason that the film and original Teddy Boys were not in the same time frame.

 

Teddy Boys made it acceptable for young people to care about what they looked like all the time and dress purely for show, instead of just having work clothes for Sunday best. This trend arose as young people’s disposable income increased during the post-war years. Teddy boy clothing consisted: of long drape jackets, usually in dark shades, sometimes with velvet collars and pocket flaps; high waste 2drainpipe” trousers often showing brightly coloured socks. Favoured footwear was chunky brogues, large crepe-soled shoes, and often suede (known as brothel creepers). Plus a high–necked loose collar and a white shirt; a narrow ‘Slim Jim’ tie and a brocade waistcoat.


These clothes were mostly tailor–made at great expense and paid for through many weekly installments. Preferred hairstyles include long, strongly-molded greased-up hair with a quiff at the front and the side combed back to form a DA (Ducks Arse) at the rear of the head. Another hairstyle was the Boston, in which the hair was greased straight back and cut square across the nape of the neck.

Glyn Whiteoak in the teenage pose of the 1950's

Official trailer for Blackboard Jungle

James Bordass

Local lad, James Bordass looking a bit more Elvis

James Bordass once again with the 'DA' style.



The girls adopted a style similar to teddy boys, they wore items such as drape jackets, hobble skirts, long plaits, straw boater hats, cameo brooches, and coolie hats. Later they adopted the American fashions of toreador pants, voluminous skirts, and hair in a ponytail.


 With the advent of more dance venues opening in Bradford and other cities from the mid-1950s onwards, at last, they had somewhere to jive relax, and above all show off a style of fashion the likes we would never see again.

As with all fashion, something always comes along to take its place as it did in the late 1950s. Italian suits with short jackets, narrow trousers, and the famous winkle pickers soon took over and within a short time, the Teddy boys and girls were few and far between. Some of the old guard did survive and kept faith with his or her fashion well into the 1960s; however, by then, most had disappeared into history.

Here we see singer Sandra Anstey in a popular skirt style of the 50s.

Two  local girls, Diana and Jill modelling their 60's look.

Pictured in Wood's Record Department are Linda Wilkinson and friend Dawn Moss in 1961


Female ‘teenagers’  started to look less like their mothers, in the later part of the 1950’s.  Brightly patterned dresses with tight waists and wide skirts were popular.  The effect could only be achieved with a stiff starched petticoat. 

 

This style was suited to ‘Rock and Roll’ dancing.  For ‘Rock and Roll’ and Jive dancing, the circle skirt, swirled up reflecting the energy of the dance, in many cases showing their stocking tops, was also highly fashionable.  Coloured patterned and pleated skirts made from a then-new fabric called Terylene were also worn for more casual occasions and, pullovers were becoming more popular for women.  On top, ‘teens’ wore scoop-necked blouses, tight polo-necks or three-quarter sleeve white fitting shirts often with a scarf knotted around their neck.  These teen clothing fashions that had originated in America now filtered down to Britain in watered-down fashion.



By the early 1960 although hairstyles were almost the same, hemlines had been rising since the end of the 50s, and by 1963 they were just above the knee.  By the end of 1965 the newly-christened ‘Mini Skirt’ really took off and had climbed 6ins or more above the knee. This was considered incredibly shocking by some sections of society. However, traditional stockings began to be replaced by one-piece tights, in a range of ever-more outrageous colours.  These allowed women to wear shorter skirts.


Fashion for men in the 1950s usually meant a trip to Burton’s for new suits, which were generally conventional in appearance in sober colours such as grey, black or navy.  Suits were worn for nights out and for most social occasions, however casual clothes for men were also starting to make an appearance such as the blazer or sports jacket which was with non-matching trousers.  This looked less formal than a suit.


However, with the advent of rock and roll in the mid-1950s fashion was well catered for, especially if you wished for ‘with it’ gear.  For the males, Hargreaves Outfitters in Sunbridge Road offered a nice selection of frilled fronted shirts, and string ties, and introduced the popular luminous socks, 

( lime-green being their speciality), which brought a shake of the head and a frown from elderly people.


Wallis Outfitters, at the bottom of Manchester Road,  could offer all the trendy rock n' roll ware, however was not as expensive as Hargreaves. There was over this period quite an assortment of footwear, the most popular being crepe-bottomed shoes sometimes referred to as ‘brothel creepers’, although a majority of teenagers still wore the standard leather shoes of the time.  Later, ‘Winkle Pickers’ with Cuban heels would take over well into the sixties.



Local lads outside the Allasio Coffee Bar with their Winkle Pickers.


Jeans were also becoming trendy for casual wear. High heels were the order of the day with the circle skirt and for the more casual wear ‘flatties’ were most common.  The most popular hairstyles of this time were the ‘Pixie, Beehive, and the ‘Bouffant’ (which needed a lot of backcombing), held in place with the ever-dependable‘Bellair hair lacquer and a ‘thousand clips’!


Most males wore a suit or a jacket of some kind plus a shorty raincoat taking the place of the large gabardine raincoat that most males seemed to carry over the arm even when it was not raining.  The shorty raincoat however guaranteed wet trousers on a rainy day!  Later in the early 1960’s the clean, Beatle Mop-top haircut joined forces with these fashions to create a style so modern it became known as The ‘Mod’ movement.  Simplicity was the order of the day; leather jackets were out smart suits were in, especially the Italian style, plus 'shorty raincoats', and an Italian word greeting or farewell was 'Ciao'.




Copyright © 2023 When Bradford Rocked - All Rights Reserved.

The moral right oF derek a j lister to be identified as the author of 'BRADFORD'S OWN' & 'When bradford rocked' has beeN ASSERTED IN ACCORDANCE WITH THE cOPYRIGHT, dESIGN AND pATENT ACT, 1988.


Powered by

This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

DeclineAccept